ARTLEY
& FINZI
Gustav Holst – St Paul’s Suite
Gustav Holst composed the St Paul’s Suite between 1912 and 1913 for the string orchestra at St Paul’s Girls’ School in London, where he served as Director of Music. While originally designed for young players, its energy and sophisticated string writing have made it a staple of the professional repertoire.
The suite features four movements rooted in English folk traditions:
- I. Jig (Vivace): A bright opening with strong rhythmic drive.
- II. Ostinato (Presto): Built on a repeating pattern that creates a sense of momentum and excitement.
- III. Intermezzo: A gentle movement characterized by warm harmonies and flowing melodies.
- IV. Finale (The Dargason): A joyful finale based on an old English tune that layers multiple melodies for a spirited conclusion.
Gerald Finzi – Clarinet Concerto in C minor, Op. 31
Composed in 1949, Gerald Finzi’s Clarinet Concerto is one of the most lyrical and expressive works for the instrument. As Finzi’s final large orchestral work, it reflects his deep affinity for English poetry, landscapes, and song-like melodies. Rather than a virtuosic showpiece, the concerto is intimate and reflective, with the clarinet often mimicking the human voice.
The work consists of three movements:
- I. Allegro moderato: A gentle, thoughtful opening featuring an expressive conversation between the soloist and the orchestra.
- II. Andante tranquillo: The lyrical heart of the piece, unfolding with the peacefulness of a quiet countryside walk.
- III. Rondo (Allegro giocoso): A brighter, more playful finale that maintains Finzi’s elegant, melodic style.
Yvette Artley - Wairua Triptych
This triptych has been an opportunity for me to draw upon all the musicians I've been throughout my life thus far, demonstrating a variety of stylistic influences.
'This Peculiar Dance Of Life' is just that - its highs, lows, peaks and uncertainties.
'Autumn Equinox' takes jazz ballads, most notably the energy of Woody Herman's 'Early Autumn', as its inspiration.
'Celtic Fusion' moves from hornpipe to reel via a crazy improvisato-style buildup.
Soloists
Henrietta Reid (Soprano)
Henrietta learned singing with Dr Morag Atchison and Catrin Johnsson at the University of Auckland where she completed a Bachelor of Music and Bachelor of Commerce in 2016.
She is a member of the NZ Opera Chorus and Voices New Zealand. Recently she has been a featured soloist with Camerata Chamber Choir, the Bay of Island Singers, Devonport Chamber Orchestra and Pakuranga Choral Society. When she isn't singing she works as an accountant, enjoys cycling, tramping, and playing viola with the Devonport Chamber Orchestra.
Dilys Fong (Mezzo-Soprano)
Dilys Fong is an Auckland-based mezzo-soprano, having performed with a variety of groups over the years. As a soloist, she has appeared in Renee Liang and Gareth Farr's 2017 opera The Bonefeeder, and with the Auckland Choral Society (Israel in Egypt, Schubert +), Bach Musica (The Birds, various Bach cantatas), Auckland Youth Choir (M), the North Shore Chorale (Mainly Mozart), North Shore Camerata (Good King Wenceslas), Ensemble Polymnia (Remembering Passchendaele), and the Handel Quire and Consort (Te Deum & Jubilate, Ode to St Cecilia, Samson, Triumph of Time and Truth).
Dilys completed a BMus/BSc in 2014 majoring in Physics and Performance Voice, and was the recipient of the Pears-Britten Scholarship, and Marie D'Albini Scholarship in singing during her studies. She comes from a strong choral and ensemble background, and has performed with the New Zealand Opera Chorus (La Boheme, Carmen), Voices New Zealand, and Opera Factory. Dilys is also an alumna of the acclaimed Key Cygnetures and Choralation choirs (Westlake Girls’ High School), University of Auckland Chamber Choir, Graduate Choir NZ, and the New Zealand Youth Choir. She now spends her working hours as a transport planner and climate change adaptation consultant, and can sometimes be spotted hiking.
Mike Liu (Tenor)
Mike is an Auckland based tenor and holds both A.T.C.L and L.T.C.L diploma with distinction from Trinity College London. Mike started his bel canto singing training during Year 13 of Auckland Grammar School, studying under the tutelage of Soprano Christine Treseder Hallett for many years. He is currently studying under the tutelage of baritone James Harrison and regularly coached by distinguished pianist Rosemary Barnes. Mike is an alumnus of the New Zealand Opera School in 2024 and 2025 and the New Zealand Singing School in 2019. He has been a member of the New Zealand Opera Chorus since 2019 and sang in 12 productions. He has also sung with the Opera Factory, Bach Musica, Auckland Lieder and Art Song Group, the Auckland Clef Music Club, etc. Over the years, Mike has won prizes at vocal competitions around New Zealand such as the North Shore Senior Vocal Competition, Te Awamutu Vocal Competition, etc. In 2025, Mike has made his role debut in the Opera in concert of La Traviata with the Auckland Philarmonia. Outside of singing, Mike plays the Clarinet and works as a tunnel engineer.
Blake Scanlen (Counter Tenor)
Blake is a baritone, conductor, and teacher from Tāmaki Makaurau. He currently sings with Voices New Zealand Chamber Choir and St. Matthew’s Voices where he is Leader of the Voices. He is Artistic Director of the Neotectonic Vocal Ensemble, teaches classroom Music and English at Westlake Boys High School, and is Guest Conductor for Harbour Voices.
Recent solo highlights include Handel’s Messiah, J.S. Bach’s Mass in A, and Stainer’s The Crucifixion.
Upcoming solo performances include J. S. Bach’s Easter Oratorio; Reena Esmail’s This Love Between Us (Bach Musica NZ), Messiah (Pakuranga; South Auckland Choral; Tauranga Civic Choir), Handel’s The Triumph of Time and Truth (Handel Consort; Quire), and as guest artist with NZ Barok. He is a graduate of the University of Auckland School of
Music in composition, conducting, and performance voice and recently attended the 2026 New Zealand Opera School. His teacher is Catrin Johnsson and in September this year, will be moving to the UK to pursue a Masters in Solo Voice Ensemble Singing at the University of York.
Neotectonic Vocal Ensemble
Neotectonic Vocal Ensemble was founded in 2021 as a place for old friends from the Auckland Youth Choir to continue singing together. Beginning as a nine-person ensemble, they are now a 16-strong chamber choir. The ensemble performs in different venues several times a year across Tāmaki Makaurau and have previously presented repertoire ranging from Byrd and Victoria to Alex Taylor and Meredith Monk, including various world and NZ premieres. Past collaborations have included with violinists Johnny Chang and Keir GoGwilt, pianist Sofia Onishko, Austellus Vocal Ensemble, astronomer Chris Marthur-Hollis, and St. Matthew’s Voices. Since 2024, their artistic director is Blake Scanlen and they are run by a committee of singers.
Elizabeth Lau (Conductor)
Elizabeth Lau is the Founder and Creative Director of Wairua Sinfonietta, a non-profit orchestra that unites emerging and professional musicians to perform in support of charitable causes worldwide. In 2024, she also founded the Wairua Youth Sinfonietta, dedicated to nurturing the next generation of orchestral players and fostering meaningful musical opportunities for young musicians.
A graduate of the University of Auckland, Elizabeth was the first to complete a Master of Music in both Choral Conducting and Orchestral Conducting, alongside studies in composition, collaborative piano, and double bass. Her mentors include Dr Rae de Lisle, Honorary Associate Professor Dr Karen Grylls ONZM, Emeritus Professor Uwe Grodd, and the late Maestro Eliano Mattiozzi Petralia.
Elizabeth has conducted internationally and worked with ensembles including Auckland Philharmonia, Manukau Symphony Orchestra, Piper Sinfonia, Mozart Orchestra, Auckland Choral, and Bach Musica. She currently serves on the advisory team for the New Zealand Children’s Choral Academy, contributing to the development and support of young choral singers across the country. She is recognised for her thoughtful musical leadership, collaborative approach, and commitment to building inclusive artistic communities.
Career highlights include serving as Assistant Conductor for the world premiere of LEN LYE: The Opera (2012) by Eve de Castro-Robinson, and participating in the 2021 world premiere of Ihitai ‘Avei’a – Star Navigator, an opera co-composed by Tim Finn and Tom McLeod. In 2026, she conducted the inaugural Chinese New Year Symphony Concert at the Auckland Town Hall, marking a significant milestone in cross-cultural musical celebration.
Through Wairua Sinfonietta, Elizabeth combines artistic leadership with community impact, presenting concerts that inspire audiences while supporting meaningful charitable initiatives. Outside of music, Elizabeth is passionate about cultural exploration, visiting art galleries, and creative expression through painting and photography.
Neotectonic Vocal Ensemble and Guests
Soprano:
Rosie Auchinvole
Holly Bercusson
Saskia Herren
Rosie Mae McAllister
Catherine Perich
Luana Prictor
Leilani Walker
Eden Wilson
Annabel Yu
Alto:
Wendy Chen
Dee Crooks
Judy Dale
Gnesyer Gomez
Matthew Howes
Lynnette Leggett
Rachel Longstaff
Maria Millar
Tenor:
Brendan Griffiths
Mitchell Hageman
Richard Lui
Ben Pollard
Wayne Siu
Tim Stevenson
Wilson Wang
Max Wilson
Bass:
Aldwin Anastacio
Andrew Bolton
Oliver Bramah
James Butler
Rory Fenwick-Rose
Jacob Moore
Peter Simpson
Atama Thompson
Musicians
Violin 1
Harris Leung **
Michael Sun
Adrien de Croy
Nancy Chen
Mathieu Faliu
Violin 2
Olga Homenko *
Emily Wilby
Skyla Orr
Skyla McDonald
Sandy Niu
Viola
MeiFong Edgar *
Amanda Lawrence
Ben Flanagan
Dora Tsao
Cello
Masha Pavlenko
Xilong Zhang
Nina Gaste
Zoe Li
Leon Grootscholten
Double Bass
Mike Steer
Feiyang Wu
Special Thanks
Special Thanks
This concert would not have been possible without the generosity, care, and dedication of our wonderful volunteers—musicians, on-site teams, and behind-the-scenes supporters alike. Each of you has helped shape an evening that we hope will linger warmly in the memory of our performers and audience.
Our heartfelt thanks to:
St Matthew-in-the-City Event Manager – Dmitry Rusakov and staff
Stage Manager – Richard Liu
Front of House Assistants – Olivia Lai, Kitty Ling, Phoebe Wong
Event Support Team – Tracey Ma, Alison MacDonald, Ann Wong
Website and Poster Design – Sarah Healey
Your time, energy, and kindness have woven together every thread of this concert. We are deeply grateful.
This music is as much yours as it is ours. Thank you for being part of our journey.